Post Lecture Thoughts…

My ‘Christmas Shopping’ lecture asked us to question the ‘value’ of presents. From a quick ‘put your hands up’ exercise we all noticed that our favorite gifts were not the expensive gifts we had ever had. In fact, most of the things we treasured were actually worth very little. It was the meaning behind them – who bought it, why they bought it etc.

This idea was reinforced when I picked up the metro on the subway in Glasgow. The front page had an open letter written by Sarah Jane Fields to “the man who stole my car on Wednesday”. The point of the letter was that she actually didn’t care too much about her car. What she cared about was that without  the car (and because of the fuss of having it stolen) she was unable to visit her father before he died.

This is where the meaning of ‘meaning’ comes in and as a designer this is something I will need to get to grips with. From this story I can recognize a hierarchy of meaning, or perhaps link is the right word. Her car meant she could visit her father who meant everything to her. The cars function, in the specific situation of her life, at the time (when the man stole it) meant that it actually also meant everything to her. More meaning than usual was reflected onto her car if you like.

This will teach me to not only consider the meaning of whatever I am designing but also the possible meanings which it could have.

(Sarah’s story: www.metro.co.uk

ECA / GSA / DJCAD

I thought it would be really nice to see some different studio spaces so I sent out some emails to my college friends.

(I went to Glasgow Metropolitan College before I came to Duncan of Jordanstone so I have lots of friends from there who went onto other art schools and universities)

My friend Andrew is at Edinburgh College of Art, here’s his desk and the lovely view of the city he has from his studio.


He has been working on a collaborative project with some third and fourth years for an exhibition. I also answered some of his research questions on facebook chat the other day for a project he is doing on memories!

Andrew has an online portfolio site at – www.prettyrough.co.uk.

He is also the creator of design collective, Pretty Rough which we both, along with our friend Dan, contribute to.

______________________________________________________________________________

My friend Callum is studying at Glasgow School of Art and sent me some brilliant pictures of his HUGE studio space (complete with living room area!)

Callums class has a huge range of students from all over the world including Switzerland , Norway, Sweden and Lithuania! He had already started screen-printing on the first week of his course!

Callum has an online portfolio site at – www.callumrice.com

______________________________________________________________________________

Here is a picture of my desk (I am of course at Duncan Of Jordanstone College of Art and Design) and a quick video of my studio. I also included a picture of the view from my desk which looks onto the first year studios. On the top floor there is a life-sized painting of a girl who watches over us… (I couldn’t zoom in on her with my phone but I will one day venture up to get a proper picture of her)

On my lovely big desk my Lithography prints are drying – they are part of a booklet for a current project I am doing. (We have to create a manifesto by linking an art movement and an unusual profession). You can see the printing and woodwork workshops, which are opposite my studio. They are packed with brilliant technicians who help us create our models and prints. I made a wooden box for my introduction to the wood workshop and am hoping to get a project where I can use it again! I also want to try my hand at etching and screen-printing next semester!

As you can see my laptop and research notes are also out because I am currently researching the influence of groups in relation to design. I am currently reading a Journal article which focuses on the training of foster parents and whether individual training was more effective than group training. I am actually really enjoying this research as I am learning how to properly investigate subjects that I am interested in.

Beside my laptop is George, the paper mache’ pig that Rebecca and I made for our museum project!

(the video of my studio is taking a while to come through on my email so I will post it up as soon as it sends)

______________________________________________________________________________

The rest of my friends from college have their online portfolio sites on the Glasgow 912 page which showcases the portfolios of each years HND graduates. www.glasgow912.com (it’s called ’912′ because that was the classroom number for the second years) (just incase you were wondering…)

Pre Lecture Thoughts…

My lecture tomorrow morning (the last one before the holidays) (yippe!) is, very fittingly, about Christmas shopping.

This made me think about Christmas presents.

The set of bunk-beds my papa made for my dolls is most definitely up there with my favorite Christmas presents. They were painted blue (my favorite colour at that age) with illustrations of teddy bears on the side. He even made a mini set of ladders! Once I was older he also made me a sledge which secured my place in nearly every single sledge race I ever competed in. One present I cannot leave out was my Little Tikes kitchen because I can vividly remember lining up all of my toys along the living room and making them dinner. I also fed plastic sausages to all the relatives and neighbors who visited that Christmas too. Of the three I would say the kitchen was probably my favorite gift purely because it sparks off the most memories for me.

Fast forward about fifteen years and I can see from the Early Learning Centre and Argos catalogue that they don’t make kitchens like they use to… I also, unfortunately no longer have said kitchen. I still have the bunk-beds and sledge up in the loft however and probably always will.

Flash Buttons!

Just working on the home page for my new ‘mini’ portfolio site which will link from my main site and show my illustrations, paintings and general fun things :)

This slideshow requires JavaScript.

Keeping Up To Date

I have drawn up my top ten websites that I use for keeping up to date with the happenings of the world and the design world.

For example, I really like the BBC website because as well as splitting up Scotland, England etc it also separates the main topics: Health, Education etc. The majority of the topics are serious issues but some odd one’s do creep in sometimes which, can be funny. This division of news is what I also like about the Guardians website. It also has a more detailed Culture section that further separates into divisions such as stage and film. To get to these though you have to go through the main news homepage which is where I often end up on a tangent with an interesting story that’s caught my eye.

My favorite site has to be Design Week however with it’s countless sections and endless articles. The scrolling page is split up with menu’s such as the Disciplines one that let’s you navigate straight to your area of interest. It provides news on everything from who’s working on what Job to finance to success stories. It has a Job section which features in every page and allows you to view regularly updated positions in the industry. This does not interest me directly as a student but it is good to get a feel for what kind of employment is out there at the moment. Unlike the Drum, Design weeks website is just as good as the magazine.

THINK BIG

I have been thinking a lot about my recent conundrum: (do I think) That Josiah Wedgewood devalued pottery? (see this post)

Josiah Wedgwood use to work as a ‘thrower’ but an attack of smallpox meant he had to have his leg amputated. This mean’t he couldn’t work the machine he used as a ‘thrower’; he instead got more involved with the craft itself, the designs and the modelling. He started to experiment with clay mixes which made more durable crockery. His Etruria factory had a village attached to it where his workmen could live with their families. His interest in science and technology brought about new production methods as well as glazes which furthered strengthened his pottery.

Let’s also not forget, his interest in selling all this high-tech pottery brought about the construction of the canal system too!

His motivation was to make more money selling pottery that he couldn’t make himself anymore. So he did his research, made some discoveries and employed people to make his super durable, super glazed pottery. He did an awful lot of good for the industry yes, in fact he practically created it. Thats the thing though – HE created it all.

What if…he had applied his discoveries to the craft of pottery rather than to himself. What if he showed the craftsmen how to mix their clay and glaze their pots better. What if he had built the canal system with the intention of letting the potters sell their wares to bigger markets?

He would still have thought BIG but just applied it differently. Applied his ideas to the craft rather than applying the craft to his ideas. His thinking could have strengthened the craft of pottery – rather than (perhaps) diluting it.

 

 

 

 

 

 

Ecofont

I was flicking through some old magazines I found at home when I found this little article in the National Geographic from August 2009! It was about a new font, from Dutch marketing firm Spranq which, uses less ink than regular typefaces. They discovered that letters could have tiny holes in each character; for example

“a fifth of a Verdana-like letter could be removed without ruining readability”

The amount removed of course would depend on the point size and the purpose… A professional Ecofont is available for publishing but the standard (free download) (which, don’t worry, I have linked to at the bottom for you) font is a good, environmentally friendlier alternative for home, proof and office printing. I am going to test it out when I get home!

National Geographic.co.uk

Ecofont download

SPRANQ.nl


Intro to ‘proper’ Research

The sketchbook and poster I created as a result of my mini brainstorm left me with a lot of questions buzzing about my head. I decided to go to the library and use ‘cross-search’ to find some research articles which related to groups and working alone. I found some really interesting looking Journal articles which had studies such as; group vs individual training, gender-orientation and status within groups. I found about forty articles that interested me!

I had to narrow down my selection however so I opted to just research groups vs individuals. (I had wanted to look into the working environment as well eg the design of the space or lighting. I think that two area’s of focus however might have been a little bit ambitious and overwhelming for my first attempt at ‘proper’ research) I further  narrowed down my selection by reading the ‘abstracts’ and considering the date. I realize that a lot of my chosen articles are quite dated but some of them sounded really intriguing! I also noticed that some of the older articles related to each other better than the more modern ones did. I think it would be really nice to be able to connect my research and get some ideas’ by seeing these connections.

I have included my research articles in the bibliography below, most are journals and a couple are books. (All references are noted down in the Harvard Style) (All annotations below the references are my own summaries) (All NB notes are just reminders for me about possible links or ideas)

My Research Bibliography

Darley, J. M., Tegar, A. I., (1973) Do Groups Always Inhibit Individuals Responses To Potential Emergencies, Journal of Personality and Social Psychology, vol. 26, no. 3, pp. 395-399

This experiment investigates the link between bystander intervention and group communication processes. It tests whether groups that could exchange reactions to a ‘loud crash’ would respond differently to groups who could not see each other. It found that people in groups would interact to arrive at an interpretation of it.

NB:Think about how being in a a group might affect opinion and reactions of members. Can you get away with not doing things better when your in a group?

De Dreu, C. K. W., Baas, M., Nijstad, B. A. (2008) Hedonic Tone and Activation Level in the Mood-Creativity Link Toward a Dual Pathway to Creative Model, Journal of Personality and Social Psychology, vol. 94, no. 5, pp. 739-756

Investigation into the effects of a persons mood on the volume and originality of their ideas and insights. Results showed that ‘activating moods’ (e.g. angry, happy) were more productive that ‘deactivating moods’ (e.g. sad, relaxed). Studies on mood manipulation were carried out on creative processes such as brainstorming and all support the ‘model’.

NB:Think about a ‘deactivating mood’ group vs a ‘activating mood’ individual. Possible hindrance to pro-group argument.

Hampson, R. B., Schulte, M. A., Ricks, C. C. (1883) Individual vs. Group Training for Foster Parents: Effectiveness Evaluations, Family Relations, vol. 32, no. 2, pp. 191-201

This study compared foster parents who were trained in a group format to those trained individually in their homes. There were few differences between the groups based on attitude and knowledge. The parents trained in groups however had poor attendance rates and had less success on implementing the training.

NB:Could be good when thinking about participation in groups and how much we actually absorb. This also reminded me of (Gladwell, 2000) research into “transactive memory”.

Haupt, A. L., Leary, M. R. (1997) The Appeal of Worthless Groups: Moderating Effects of Trait Self-Esteem, Group Dynamics: Theory, Research and Practice, vol. 1, no. 2, pp. 124-132

This study tested a known hypothesis: people with low trait self-esteem prefer to join worthless groups because their membership will seem less tenuous (insubstantial) than in a worthwhile group. This was proved correct by giving a mixture of people with high and low trait self-esteem the choice to work alone or in a group on a worthwhile task and a worthless task.

NB:Links to the masculine/feminine group choice article  – contribution discussion.

Hojnacki, M. (1997) Interest Groups’ Decisions to Join Alliances or Work Alone, American Journal of Political Science, vol. 41, no. 1, pp. 61-87

This article explores whether an alliance is likely to improve an organizations chances for success relative to working alone. The results (which were gained through interviews with representatives) revealed that coalition was a disadvantage when groups had narrow interests in an area or little to contribute. If the groups had a passionate interest in the issue and were driven by success however the benefits of a coalition were substantial.

NB:Current government – hung parliament – Conservatives/Liberal Democrats. ‘Working alone’ in this case still equals a group however it might be nice to look at the problems/benefits of joining groups in politics to mix things up a bit and some of the principles might still be applicable.

Moore, C. M., (1987) Group Techniques For Idea Building, London, California, New Delhi: Sage Publications Inc.

Specifically identifies the ‘Delphi Technique’ where, if you properly combine the judgement of a large number of people you will achieve a more accurate result. Chapter one outlines an argument on groups vs individuals.

NB:This book is quite old but is the technique still relevant today? Might be good for a supposed theory.

Pronin, E., Jacobs, E., Wegner, D. M., (2008) Psychological Effects of Thought Acceleration, Emotion – American Psychological Association, vol. 8, no. 5, pp. 597-612

This study revealed that the subjective experience of having lots of quick thoughts produces positive moods. It discusses the implications of the link between ‘racing thoughts’ and euphoria.

NB:Sounds really interesting and slightly wacky. Relates to Hedonic Tone article.

Ridgeway, C. L., (1982) Status in Groups: The Importance of Motivation, American Sociological Review, vol. 57, no. 1, pp. 76-88

This paper explores the link between the status and influence a person achieves in a group with whether they are group-orientated or task-orientated. It describes how people with low external status e.g. woman in mixed sex groups can achieve high levels of influence in a task-orientated group. (For example: Males (high status members) achieved high influence levels regardless of their motivation)

NB:How do you get everyone to be an active contributer? Value of opinion/nature of opinion versus status of the member.

Vancouver, J. B., Ilgen, D. R. (1989) Effects of Interpersonal Orientation and the Sex-Type of the Task on Choosing to Work Alone or in Groups, Journal of Applied Psychology, vol. 74, no. 6, pp. 927-934

The preference for working alone or in a group when faced with either a masculine or feminine task was examined. It was expected and found that anticipation of success was affected by gender and the sex-type of the task so influenced the persons choice to work alone or in a group. The effect of ‘interpersonal orientation’ on choice was also investigated however it had little affect on the persons decision.

NB:The make-up of a group – masculine/feminine – pre-conceptions.

Vernelle, B., Brown, A. (ed.) Kerslake, A. (ed.) (1994) Understanding and Using Groups, London: Whiting and Birch Ltd

The book does not argue against groups but provides possible problems that might occur in a group. Chapter Three: Getting on with the work of the group has sections on time, size and postive/negative groups. These sections relate to topics that have came up in some of the Journals.

NB:Good for referencing problem solving in a pro-group argument.

Oh and here’s some colourful notes to brighten this post up a bit!



THINK BIG

Design is all about idea’s right…except everyone has different idea’s. Just like everyone has different opinions. I have noticed a connection between three of my recent lectures, which I shall try  to quickly sum up:

Lecture from Mike Press: THINK BIG! Take example from people like Josiah Wedgwood.

(He wanted to sell more pots so he teamed up with the Duke of Bridgewater and James Brindley – so he could build the Trent and Mersey Canal – so he could ship Cornish clay to his Etruria factory – so he could then ship back the finished pots and sell them in lot’s of new places)

Lecture from Hamid van Koten: Craft and Forms of Capital. Industrialisation and Globalisation has devalued crafts.

(With pottery for example, the designers now ‘create’ the design, the potters make it and the shops sell it. This has turned the potter into a manual labourer. This has destroyed the connection the potter had with designing and making his pot. He will no longer have the social experience of bartering with customers and establishing trade relationships.)

Lecture from Hazel White: Make things | Make Sense: Use your skills to design for a purpose - (see this post). I also picked up on her talking about recognising our place in the world and how the values of something changes across the world.

So…what’s my opinion (do I think) That Josiah Wedgwood devalued pottery?

Intro to Journals

I decided that today I should properly visit the place in the DJCAD library where the Journals live. (Apposed to going over, picking up creative review and oohing over the lovely work inside)

I decided to read an article from: The International Journal of Art and Design Education (2010) vol.29 no.3

I looked at: Why a Child Needs A Critical Eye and Why the Art Classroom is Central in Developing It (pp.236-243)

From the abstract I can see that the article argues the case for visual critiquing and visual literacy to be delivered as an active process in the classroom apposed to just simply interpreting visual material (reading/theory).

*Jennifer reads full article*

The article was not as easy to read as a magazine would be  – I think it would take a few goes for me to fully grasp all the points. It talks about a change in the way art ‘culture’ is taught in schools:

“School, and in particular art education, has a responsibility to educate students about culture, to expose them to it’s nature and award them with critical, analytical tools to negotiate it”

I like how this statement is backed up with an argument for getting students to actually produce their own visual responses. Learn by doing!

The article is supported by three video experiments and the diverse responses from teachers and students. It was discovered that teachers, who did not have prior experience of producing cultural work, found it difficult to initiate effective projects.

I agree with the argument that students should be taught about how to make sense of propaganda tactics. They can gain an understanding of how ‘truths’ are constructed globally across different cultures. This will allow them to see that aesthetics can be central to someone’s perception of information. I think that this could work well if they were given their own topic or piece of news and allowed to present it using different media and different tones. This would give them an understanding of how art (and indeed they) can manipulate messages.

This initial reading has given me a general understanding of the article. I can appreciate that it is calling for a change in the curriculum, which steers towards equipping students with a ‘critical eye’. I would be inclined to say that anything that equips students to discern the world they live in is surely a positive thing.